Women In Photography - Lay of the Land : Dafna Talmor, Kapwani Kiwanga, Tamara Dean, Meghann Riepenhoff, Brooke Holm, Virginia Woods-Jack, Odette England, Katie Breckon, Siobhan McDonald, Katrin Koenning, Peta Clancy and Rhiannon Adam.
Co-curated by Virginia Woods-Jack
The exhibition ‘Women in Photography - Lay of the Land’ was developed from the metaphorical meaning of ‘Mother Nature’ as a life force and omnipresent nurturing energy. Each of the female artists explore the medium of photography, drawing inspiration from aspects in their own environments to investigate the relationship between land and identity, and how these are inextricably linked.
Artists include Kapwani Kiwanga, Dafna Talmor, Tamara Dean, Odette England, Brooke Holm, Virginia Woods-Jack, Katie Breckon, Siobhan McDonald, Meghann Riepenhoff, Katrin Koenning, Peta Clancy and Rhiannon Adam.
#WomenInPhotography
Informality, 11 Market Place, Henley on Thames, RG9 2AA, UK.
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Tamara DeanEndangered 8, 2018Archival pigment print on cotton rag150 x 200 cm
59 1/8 x 78 3/4 in -
Tamara DeanMessmate Stringybark (Eucalyptus Obliqua) Summer, 2018Archival pigment print on cotton rag75 x 100 cm
29 1/2 x 39 3/8 in -
Tamara DeanWormwood in Spring, 2017Archival pigment print on cotton rag120 x 160 cm
47 1/4 x 63 in -
Meghann RiepenhoffLittoral Drift #417 (Recto/Verso, South Beach, Lake Michigan, Sheboygan, WI 01.06.16, Five Overwash Waves, Draped Over Suncups and Corn Snow), 2016Dynamic Cyanotype106.7 x 246.4 cm
42 x 97 in -
Meghann RiepenhoffLittoral Drift #986 (Point White Beach, WA 03.21.18, Five Waves), 2018Two Dynamic Cyanotypes152.4 x 106.7 cm
60 x 42 in -
Brooke HolmEclipse I, 2019Inkjet on archival paper80 x 60 cm
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Brooke HolmEclipse VI, 2019Inkjet on archival paper80 x 60 cm
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Odette EnglandFold #5 , 2019Unique gelatin silver print from a hand-folded and expired 6x7 film negative. Ilford warm-tone glossy fiber-based paper, hand-washed with selenium archival wash. Film expired in the 1990s50.8 x 61 cm
20 x 24 in -
Odette EnglandFold #24 , 2019Unique gelatin silver print from a hand-folded and expired 6x7 film negative. Ilford warm-tone glossy fiber-based paper, hand-washed with selenium archival wash. Film expired in the 1990s.50.8 x 61 cm
20 x 24 in -
Odette EnglandFold #39, 2019Unique gelatin silver print from a hand-folded and expired 6x7 film negative. Ilford warm-tone glossy fiber-based paper, hand-washed with selenium archival wash. Film expired in the 1990s.50.8 x 61 cm
20 x 24 in -
Odette EnglandFold #4 , 2019Unique gelatin silver print from a hand-folded and expired 6x7 film negative. Ilford warm-tone glossy fiber-based paper, hand-washed with selenium archival wash. Film expired in the 1990s.50.8 x 61 cm
20 x 24 in -
Dafna TalmorUntitled (GI -19191919191919-1), 2019C-type handprint made from 7 negatives152.4 x 69.6 cm
60 x 27 3/8 in -
Dafna TalmorUntitled (GI -1919191919191919-1), 2019C-type handprint made from 8 negatives81.8 x 101.6 cm
32 1/4 x 40 in -
Virginia Woods-JackControlled Burn #1 , 2019Archival pigment ink print Ilford cotton rag paper92 x 62 cm
36 1/4 x 24 3/8 in -
Virginia Woods-JackControlled Burn #2 , 2019Archival pigment ink print Ilford cotton rag paper92 x 62 cm
36 1/4 x 24 3/8 in -
Virginia Woods-JackControlled Burn #3 , 2019Archival pigment ink print Ilford cotton rag paper92 x 62 cm
36 1/4 x 24 3/8 in -
Rhiannon AdamCushana and the Frigates, Down Landing, 2018inkjet - german etching34 x 48 cm
13 3/8 x 18 7/8 in -
Katie BreckonSouthern Mountain with Kimberley Ochre Stain, 2018Enlarged Tintype, Pigment Print, Hahnemuhle Photo, Rag Baryta Paper51 x 41 cm
20 1/8 x 16 1/8 in -
Katie BreckonTwo Homes, Deep South and Kimberley Stains , 2017Pigment Print, Hahnemuhle Photo Rag
92 x 87 cm
36 1/4 x 34 1/4 in -
Peta ClancyUndercurrent , 2018-19Inkjet Pigment Print150 x 106 cm
59 1/8 x 41 3/4 in -
Peta ClancyUndercurrent, 2018-19Inkjet Pigment Print150 x 106 cm
59 1/8 x 41 3/4 in -
Katrin KoenningLake Mountain, 2018Archival pigment print80 x 100 cm (each piece)
31 1/2 x 39 3/8 in