Women In Photography - Lay of the Land : Dafna Talmor, Kapwani Kiwanga, Tamara Dean, Meghann Riepenhoff, Brooke Holm, Virginia Woods-Jack, Odette England, Katie Breckon, Siobhan McDonald, Katrin Koenning, Peta Clancy and Rhiannon Adam.
Past exhibition
Overview
Women in Photography, Installation view, Informality 2020
Co-curated by Virginia Woods-Jack
The exhibition ‘Women in Photography - Lay of the Land’ was developed from the metaphorical meaning of ‘Mother Nature’ as a life force and omnipresent nurturing energy. Each of the female artists explore the medium of photography, drawing inspiration from aspects in their own environments to investigate the relationship between land and identity, and how these are inextricably linked.
Artists include Kapwani Kiwanga, Dafna Talmor, Tamara Dean, Odette England, Brooke Holm, Virginia Woods-Jack, Katie Breckon, Siobhan McDonald, Meghann Riepenhoff, Katrin Koenning, Peta Clancy and Rhiannon Adam.
#WomenInPhotography
Informality, 11 Market Place, Henley on Thames, RG9 2AA, UK.
Installation Views
Works
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Endangered 8, 2018Archival pigment print on cotton rag150 x 200 cm
59 1/8 x 78 3/4 in -
Messmate Stringybark (Eucalyptus Obliqua) Summer, 2018Archival pigment print on cotton rag75 x 100 cm
29 1/2 x 39 3/8 in -
Wormwood in Spring, 2017Archival pigment print on cotton rag120 x 160 cm
47 1/4 x 63 in -
Littoral Drift #417 (Recto/Verso, South Beach, Lake Michigan, Sheboygan, WI 01.06.16, Five Overwash Waves, Draped Over Suncups and Corn Snow), 2016Dynamic Cyanotype106.7 x 246.4 cm
42 x 97 in -
Littoral Drift #986 (Point White Beach, WA 03.21.18, Five Waves), 2018Two Dynamic Cyanotypes152.4 x 106.7 cm
60 x 42 in -
Eclipse I, 2019Inkjet on archival paper80 x 60 cm
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Eclipse VI, 2019Inkjet on archival paper80 x 60 cm
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Fold #5 , 2019Unique gelatin silver print from a hand-folded and expired 6x7 film negative. Ilford warm-tone glossy fiber-based paper, hand-washed with selenium archival wash. Film expired in the 1990s50.8 x 61 cm
20 x 24 in -
Fold #24 , 2019Unique gelatin silver print from a hand-folded and expired 6x7 film negative. Ilford warm-tone glossy fiber-based paper, hand-washed with selenium archival wash. Film expired in the 1990s.50.8 x 61 cm
20 x 24 in -
Fold #39, 2019Unique gelatin silver print from a hand-folded and expired 6x7 film negative. Ilford warm-tone glossy fiber-based paper, hand-washed with selenium archival wash. Film expired in the 1990s.50.8 x 61 cm
20 x 24 in -
Fold #4 , 2019Unique gelatin silver print from a hand-folded and expired 6x7 film negative. Ilford warm-tone glossy fiber-based paper, hand-washed with selenium archival wash. Film expired in the 1990s.50.8 x 61 cm
20 x 24 in -
Untitled (GI -19191919191919-1), 2019C-type handprint made from 7 negatives152.4 x 69.6 cm
60 x 27 3/8 in -
Untitled (GI -1919191919191919-1), 2019C-type handprint made from 8 negatives81.8 x 101.6 cm
32 1/4 x 40 in -
Controlled Burn #1 , 2019Archival pigment ink print Ilford cotton rag paper92 x 62 cm
36 1/4 x 24 3/8 in -
Controlled Burn #2 , 2019Archival pigment ink print Ilford cotton rag paper92 x 62 cm
36 1/4 x 24 3/8 in -
Controlled Burn #3 , 2019Archival pigment ink print Ilford cotton rag paper92 x 62 cm
36 1/4 x 24 3/8 in -
Cushana and the Frigates, Down Landing, 2018inkjet - german etching34 x 48 cm
13 3/8 x 18 7/8 in -
Southern Mountain with Kimberley Ochre Stain, 2018Enlarged Tintype, Pigment Print, Hahnemuhle Photo, Rag Baryta Paper51 x 41 cm
20 1/8 x 16 1/8 in -
Two Homes, Deep South and Kimberley Stains , 2017Pigment Print, Hahnemuhle Photo Rag
92 x 87 cm
36 1/4 x 34 1/4 in -
Undercurrent , 2018-19Inkjet Pigment Print150 x 106 cm
59 1/8 x 41 3/4 in -
Undercurrent, 2018-19Inkjet Pigment Print150 x 106 cm
59 1/8 x 41 3/4 in -
Lake Mountain, 2018Archival pigment print80 x 100 cm (each piece)
31 1/2 x 39 3/8 in
